Bigass, Brown Bear

What the...?

These are the thoughts of Matt Brown, owner and lead creative working at thingsthatarebrown.com, a small web design studio in Seattle, WA.

Tiff Published in Marketing Magazine

July 1, 2009 — Tiffani — 5 comments

DSCF2341

Woot.  My article in the most recent Marketing magazine (Vol. 23 No. 257) came out in Seattle this week.  The article’s called 9 tips for Awesome Blogging, and as you might have guessed: it’s about how to be a mad rad blogger.

(To subscribe to Marketing, email Larry Coffman: lcoffman@earthlink.net)

Anatomy of a Case Study

June 17, 2009 — Tiffani — 4 comments

How do you condense a full project, complete with technical details, into a few paragraphs? Even trickier: How do you affect the right tone and make it enjoyable to read? Writing case studies is hard.

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Judging by what I’ve seen around the tubes, there are two polarizing approaches to the task: You either take the entertaining, marketing-happy approach or you take conservative, technical-thorough one. Neither tack seems particularly satisfying.

Really, the case study regularly comes off like a boring “we-had-to” addition to the design showcase. But is it?

What’s the Point?

I think it’s important to consider the purpose of the case study. Its most basic function is to add depth and meaning to your portfolio, by literally describing what you did: design, copywriting, XHTML/CSS templates, project management, whatever.

Its other (and arguably more important) job is to distill out the essence and meaning of your work, in relation to the client. To illustrate, in short form, how what you’ve delivered is more unique, efficient, or profitable than what came before.

The Basics.

The tone and content of your writing will likely vary from project-to-project, and according to your business and audience. Still, I think it’s safe to say that most case studies should be:

  • As brief as possible, without omitting essentials. Long case studies are a pain to read, no matter how engrossed your readers are. If you’ve got something truly unique and attractive to customers that requires more exposition, go ahead and write that gigantic case study. If not, keep it concise.
  • Understandable to humans, not robots. I think this goes without saying. It’s important that your writing be sensical and accessible, perhaps conversational, even if you’re writing to techie insiders who really get the mechanics what you do.
  • Low on adjectives, high on metaphor. I make this mistake all the time. There’s a big difference between jamming adjectives in your sentences and in using metaphor, which is far more productive. Adjectives add bulk and obscure meaning when overused; metaphors rely on story-telling and ingenuity to create more meaning. Metaphors help you say things better, with less words.
  • Themed, but straightforward. Framing your case studies thematically (“The Sparkly Summer Day-like Project”) is fine, as long as they make sense. In the end, you still have to communicate the actual details of what you did.

They do matter.

Not everyone will dive deep enough into your site to read your case studies, but many of your potential customers will. When they do, they should get a clear and immediate sense of what each of your projects entailed, the kinds of services you offer, and—most importantly—how what you did positively impacted the client.

Use that as your bottom line, and you’re set (even if you aren’t the king of metaphors).

And Then There Were Two

June 15, 2009 — Matt — 11 comments

tiffplusme

Today marks the most exciting and important day in my company’s little history — Tiffani Jones (my fiancée!) and I will be joining forces. My days of ‘freelancing’ are hereby put to rest, and thingsthatarebrown is reborn as a slick, two-person micro-agency. Though her role will grow and change over time, Tiff will be joining me at first to lead project management, business development, and client relations as my Director of Operations (she likes her titles as badass as possible).

De-stressed

Far and away one of the biggest challenges in running your own design company is coordinating all the communication, assets, and scheduling with your clients. Project management is roughly 30-50% of the total work on any given project, and the ‘cognitive switch’ load of going back and forth between productive creative and management is just too much to bear — both sides of my work suffers, and it’s stressful as all hell.

No more with Tiff on-board. She brings nearly two years of agency experience leading PM duties at Blue Flavor. She’s got the chops to handle one of the most difficult positions in any creative setting — making sure it all works, and everyone is happy and excited. She’s great under pressure, and definitely owns her nickname — “The Hammer” — keeping clients (and me) focused on goals and engaged in their projects.

2nd

But wait, there’s more!

Just as exciting is that Tiff is also starting her own business — content strategy and web copywriting and editing through Second & Park. She’s offering her services to other design firms, as well as bringing her talents to thingsthatarebrown. As I’ve learned the hard way over the last year, great copy is just as vital as great design, so having an exceptional copywriter on-hand will be a priceless resource.

There’s lots more in the cards, so please stay tuned.


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